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Here you can find a very large (530+ and still increasing) selection of Mamiya (340+), Bronica (125), Metz and Fuji GX680 brochures, manuals, instruction sheets and reviews that you may find useful - plus now a Darkroom section and a few other PDFs for light meters and other items of possible interest. Most are in English; other languages are indicated. Camera and lens reviews (40+) now added, plus brochures in other languages! There is no charge for these manuals; they are provided as a service to my customers. If you wish to save the manual on your computer, just right-click on the manual you require, choose 'Save link as', and choose a suitable location on your PC to store it.
Please note that most later (from March 2014) additions and updates to the Downloads section have been scanned at 300dpi to ensure highest quality; as a result some of the PDFs are quite large. Those over 10MB are highlighted.I am always looking for suitable new brochures / manuals / information sheets to add to this free resource - scans of brochures, etc, would be very welcome. Obviously just those not already shown here, and non-English versions are very welcome as they are not easy for me to find in the UK. I don't charge anything for any of this information, and it is really useful for all Mamiya and Bronica medium format users.
If you think you can help with this, please contact to take things further. Thanks!Click on the manufacturer below to show the manuals available. Click on the manufacturer again (or on the 'Close Listings' option) to close the group listing. Mamiya InstructionsMamiya 645.Mamiya 645AF.Mamiya ZD.Mamiya RB67.Mamiya RZ67.Mamiya 6 / Mamiya 7.Mamiya C.Mamiya Press / Universal / Super 23.
Choosing a camera system has profound effects on many aspects of your photo career that go far beyond mere differences in mega pixels or file format. Every aspect of your craft, including the quality of your work, the fees you can charge and the flexibility of assignments you enjoy, rests on your choice of a camera system. Dual format cameras provide a perfect balance of film or digital capture flexibility that no other camera system can equal.Size Matters Bigger is indeed better! There is simply no denying that as you increase your film or digital sensor size, so increases the quality of your image. Larger film or sensors result in better color and tone, less noise, and greater detail. The bigger format (6x4.5) is nearly 3x larger than 35mm SLRs and 4x or more larger than most D-SLR cameras. The superior image quality is visible not only to you but also to your client and ultimately those who will view your images.
In addition, the large viewfinder is an excellent visual workspace for composing images.Modular Design – Greater Versatility Dual format cameras allow you to configure them to meet your own shooting styles or needs. You may choose different viewfinders, film, instant or digital imaging backs. The interchangeability of these image capture backs provides theflexibility you need to meet the demands of your clients. Today’s dual format camera systems offer you theflexibility to address your clients’ ever changing needs with one camera system.Mamiya lenses are designed and built for today’s foremost photographers who expect their equipment to provide both outstanding and distinctive results. Engineers at Mamiya have developed rigorous performance criteria for each lens design. No detail is overlooked.
No test is omitted.Mamiya 645 AF LensesThe Mamiya Full-Frame, Ultra-Wide-Angle, 28mm f/4.5 Sekor D lens is another in the long line of high-quality Mamiya lenses for their 645AF system. This innovative lens is the first medium format 28mm lens for both film and digital use. The use of high-quality aspheric lens elements produces outstanding optical performance.In the fine tradition of Mamiya quality lenses, the 28mm f/4.5 lens provides superior optical quality for a wide variety of photographic uses. Photographers from many disciplines will put this lens to good use - commercial, architectural or nature. The aspheric elements deliver true color rendition by steering the light directly to the sensor in a straight line so that there is no color shift - a problem with many lenses used with digital backs. In this way, sharpness and contrast are maximized.A true benefit of this lens is that it has been designed to work on Mamiya's full line of medium format auto focus cameras - both film and digital.
At present, there is no other lens of similar design that meets that specification.
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RZ67 Pro I ready for shootingOverviewMakerTypeLensCustom Mamiya mountSensor/mediumISO 25 to 6400 manualFocusingFocusManualExposure/meteringManual, Aperture Priority with AE prismFlash,ShutterManual lever winding, unmodified.range8 s to 1/400 s, Bulb, TimeGeneralBattery4LR44 6 V battery or 4 1.5 volt batteriesJapanThe Mamiya RZ67 is a professional manufactured. There are three successive models: the RZ67 Professional (first model released in 1982), RZ67 Professional II (released in 1995) and RZ67 Professional IID (released in 2004). RZ67 is a modular camera system, meaning lenses, viewfinders, film winders and film backs are all interchangeable. It is primarily designed for studio use, but can also be used in the field.
The RZ67 Sekor lenses have built-in electronic leaf shutters which are cocked and triggered from the body. Focusing is performed with a bellows on the body instead of the lenses.The camera accepts 6×7, 6×6 and 6×4.5, 120 and 220 film magazines and as well as Quadra 72 4×5 sheet film backs. Backs are also supported via the G-Adapter. The film speed is set on each RZ back via a dial.
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There are two versions of the 6×7 and 6×4.5 backs; the model II versions have a second film counter to always show the film count on the top. The RZ67 operates on one 6 V, or 6 V. It can be used in emergency mode fully mechanically with a fixed 1/400 sec shutter speed. Multiple exposures are possible in the M-mode. Mirror flip up is supported.
The body has one standard flash hot shoe on its left side, one plug for a standard remote shutter cable release, and a socket for an electronic shutter trigger. The RZ67 measures 104 mm (W) × 133.5 mm (H) × 211.5 mm (L) with the 110mm f/2.8 lens, and weighs approximately 2.4 kg (5.29 lbs).
The flange distance is 105 mm.The RZ67 name is adopted from the model name of the (in which RB stands for 'Revolving Back'), which was first introduced in 1970, thus the RZ67 also takes backs which can be rotated 90 degrees to provide a horizontal or vertical. The orientation is shown in the with black guides. The viewfinder also hosts LEDs informing of the state of the camera (flash ready, low battery, dark slide not removed, shutter not cocked). In addition to manual operation (photographer chooses and shutter speed), the RZ67 is able to operate in AEF mode with an AE viewfinder (AE being an abbreviation for automatic exposure), which transmits information directly to the body. In RBL compatibility mode, the RZ67 is able to use RB67 lenses. The biggest difference between RB67 and RZ67 is that the RB67 is completely mechanical.
Nikon Manual Focus Lens Reviews
The RZ67 has also mechanical couplings between the parts, but the shutter is electronic, and parts are able to transmit exposure information with electronic couplings. In addition, the RZ67 has plastic exterior body, which makes it somewhat lighter. Contents.Versions Original RZ67 Professional (RZ67 Pro I):. Electronic shutter 8 sec: 1⁄ 400 sec with full stepsRZ67 Professional II (RZ67 Pro II):. Some improvements of the electronics. An additional knob was added to the right side of the focusing unit for fine tuning of the focus. Shutter can be adjusted in 0.5 EV stepsRZ67 Professional IID (RZ67 Pro IID):.
Has an integrated interface for communicating with digital backs (the earlier versions need either an interface plate or external triggering wires). Minor internal mechanical improvements. RZ67 Pro II, not much exterior difference between the modelsLenses There are a wide variety of lenses available for the RZ67:. Three:50 mm f/4.5. Two versions exist, the non ULD and ULD L (contains floating element), 23 mm equivalent (refers to the equivalent 'angle of view' on a 35mm camera). The ULD version is clearly marked.